French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.  Related Paintings of Edgar Degas :. | Helene Rouart in her Father-s study | Baller (The Star) (mk09) | Dancer triming dress | Seated Dancer | The Woman Play Parasol |
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Henry Wyatt
(1460-1537) was an English courtier. A Lancastrian supporter against Richard III, he was imprisoned in the Tower of London. On the accession of Henry VII, he was released and assumed high places at court. He acted as Henry's agent in Scotland. He was admitted to the privy council, and remained high in the royal favour. He was one of Henry VII's executors, and one of Henry VIII's guardians. He was admitted to the privy council of the new king in April 1509, and became a knight of the Bath on 23 July of the same year. In 1511 he was made jointly with Sir Thomas Boleyn constable of Norwich Castle, and on 29 July of the same year was granted an estate, Maidencote, at Estgarstone in Berkshire. At the battle of the Spurs he served in the vanguard (16 August 1513).
Willem Claesz Heda
1594-1682 Dutch Willem Claesz Heda Galleries Dutch painter. He was a still-life painter, who, like Pieter Claesz., is noted for his monochrome breakfast-pieces, which are, however, more opulent than those of Claesz. Heda earliest dated work is a Vanitas (1621; The Hague, Mus. Bredius), which shows a still-life from a high viewpoint, composed of various objects bearing vanitas associations (e.g. a bowl of glowing embers, smoker requisites, an overturned glass and a skull); the colouring is in brownish-grey tones and represents one of the earliest examples of a Dutch monochrome still-life (monochrome refers to the range of tones, rather than of colours). Even in this early work Heda skill at painting textures is evident. A more balanced composition is achieved in another Still-life (1629; The Hague, Mauritshuis) and in the Breakfast Table (1631; Dresden, Gemeldegal. Alte Meister), in both of which the objects, set against a neutral background, are linked by a strong diagonal. The Mauritshuis still-life also gives an early indication of Heda interest in painting the effects of light. In 1631 he became a member of the Haarlem Guild of St Luke (of which he served as deacon on several occasions after 1637).
Thomas Van Buerle
fl1809-1835